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Program Biography of Violinist Stephanie Chase - “Elegance, dexterity, rhythmic vitality and great imagination” (Boston Globe) are the hallmarks of violinist Stephanie Chase, acclaimed from Boston to Beijing as a “first-rate artist” (New York Times) and “one of the violin greats of our era” (Byron Belt, Newhouse Newspapers) for her “great sense of style, matchless technique and flawless intonation” (BBC Music Magazine).

Stephanie Chase is "one of the violin greats of our era" (Newhouse Newspapers) and among the most accomplished and distinguished American musicians before the public today.  Her performances as guest soloist with the world’s most eminent orchestras - including the New York Philharmonic, Chicago Symphony, and London Symphony Orchestra - are acclaimed for their “elegance, dexterity, rhythmic vitality and great imagination” (Boston Globe), in cultural capitols such as London, Vienna, Chicago, Milan, San Francisco, Hong Kong and New York.

Born in Illinois to one of America's oldest and most prominent families, Stephanie Chase's first violin teacher was her mother, Fannie Chase, and her father, (Robert) Bruce Chase, was a noted music arranger and composer as well as a violinist. At age two she was already performing in public, and made her debut with the Chicago Symphony six years later as the youngest winner ever of the orchestra’s Youth Competition. She commenced studies in New York with Sally Thomas of The Juilliard School and within a few years embarked on extensive national tours as a soloist and recitalist, making her Carnegie Hall debut as soloist with the National Orchestral Association at age eighteen. Shortly thereafter she became a pupil of the legendary Belgian violinist Arthur Grumiaux, which was followed by summer chamber music studies at the famed Marlboro Festival in Vermont with many of the late-20th century’s most prominent musicians.

Ms. Chase’s triumphant, award-winning performances at the Tchaikovsky Competition in Moscow have led to concert performances in twenty-five countries throughout the United States, Canada, South America, Europe and Asia, and she was a featured soloist with the Hong Kong Philharmonic on its first trip ever to the People's Republic of China in 1986, an historic event that garnered worldwide attention. The following year, she added the prestigious Avery Fisher Career Grant to her list of awards.

Her recording of Beethoven’s Violin Concerto (on Cala Records) is “one of the twenty most outstanding performances in the work's recorded history” (Beethoven: Violin Concerto; Cambridge University Press) and honored with the highest possible ratings by BBC Music Magazine and Classic CD, including “Record of the Month.” Other recordings by Ms. Chase have been selected by Stereophile as a “Record to Die For” and by Gramophone for its “Hot List,” and include three world premieres.

Ms. Chase’s most recent recordings include an album of music for violin and piano by the Bohemian-American composer Rudolf Friml (Koch International Classics) and an album of virtuoso music for violin and guitar by the early-19th century Italian composer Mauro Giuliani, performed on historically-appropriate instruments. In October 2008 she will record Family Portraits – a collection of violin favorites from the libraries of her violinist parents and grandfathers – for Koch International Classics, in partnership with famed collaborative pianist Warren Jones.

Profiles of Ms. Chase have appeared in newspapers throughout the world and in such music journals as The Strad and Musical America, and her numerous television appearances include interviews for CBS "Morning News" and by Sir David Frost.

Stephanie Chase plays an impressively diverse solo repertoire that encompasses Bach and Vivaldi to Bernstein and Zwilich and includes over sixty concerti and major works for violin and orchestra. She has given the world premieres of numerous contemporary works, including those of Earl Kim, Edward Applebaum, Taavo Virkhaus, and Jorge Liderman.

Also renowned as a chamber musician, Ms. Chase is a co-founder and Artistic Director of the Music of the Spheres Society, which presents chamber music concerts and lectures that explore the links between music, philosophy and the sciences. As a former artist member of the Boston Chamber Music Society, she toured internationally with the group and is featured on several recordings made by the Society, in a variety of repertoire.

Ms. Chase is additionally applauded through her concert performances in the dual roles of violin soloist and conductor. Concerts she has conducted with the Jupiter Symphony, The Chamber Orchestra of the Spheres, and the Symphony By The Sea (MA) have been extremely well received, and she has led performances from the solo violin position with orchestras throughout the United States and Mexico.

Her music arrangements have been performed to rave reviews in venues that include Carnegie Hall. A Fantasy about Carmen, a work she created for string orchestra (inspired by Sarasate’s virtuoso Carmen Fantasy for violin and orchestra), was premiered in 2005 in Zankel Hall (Carnegie Hall) in a performance by the orchestra of the Perlman Music Program conducted by Itzhak Perlman.  Her Spanish Suite, an arrangement for string orchestra of additional music by Sarasate, was premiered in 2006 by The American String Project in Seattle and received enthusiastic reviews from the audience, critics, and performing musicians alike. This live-concert recording is now commercially available on the MSR label. Her arrangement for string orchestra of Paganini's 24th Caprice, entitled "A Capricious CHASE," will premiere in Seattle in May 2008. In addition to Paganini's music, Ms. Chase has inserted the musical spelling of her own name (C-H-A-S-E) into the work, in the tradition of J. S. Bach.

During the 2007-2008 season, Stephanie Chase programmed and led a "Music and Imagination" course at the Philoctetes Center in New York, an institution that was founded for the study of imagination. Her programs have included "The Rhythmic Brain" (with music therapist Eric Barnhill, founder of "Cognitive Eurythmics"), "Five Centuries of Violin Making" with Stewart Pollens, and "Reaching Consensus in the Emerson String Quartet" with violinist Philip Setzer. These programs were streamed live internationally through the Center's website and are available for viewing on YouTube.

Stephanie Chase is lineally descended (tenth generation) from Aquila Chase, who arrived from England about 1639 and settled first in Hampton, NH and then Newbury, MA. The founder of one of New England's most important family lineages, Aquila's other descendents include jurists, founders of colleges, bishops, senators and a Supreme Court judge.

Ms. Chase counts among her ancestors Salmon Portland Chase, who served as governor of Ohio, Secretary of the Treasury under Abraham Lincoln and, later, as Chief Justice of the Supreme Court.  Among his accomplishments were creating a national banking system with paper (flat) currency, and he was instrumental in having the phrase "In God We Trust" placed on American currency. Chase was a noted supporter of women's rights, the abolition of slavery, and prison reform, and it is in his honor that the Chase National Bank (later Chase Manhattan Bank) was named. As Chief Justice, Salmon Chase presided over the impeachment trial of President Andrew Johnson in 1868.

Stephanie Chase has taught violin at MIT and the Boston Conservatory, and gives master classes at prominent music conservatories throughout the United States that include The Juilliard School, Mannes, the Shepherd School at Rice University, the University of Texas at Austin, and the San Francisco Conservatory. She is currently a Professor of Violin at the Steinhardt School of Culture, Education, and Human Development at New York University and is on the faculty of Queens College.

Stephanie Chase's current hobbies include studying the "music of the spheres" and Stradivari violins, and researching her genealogy.

Further information about Stephanie Chase may be obtained by contacting Drew Hemenger at Michal Schmidt Artists International, Inc..

Stephanie Chase, 2008      Please discard earlier versions

 

 

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