"rich, passionate tone, dead-true intonation throughout, and virtuosity galore" - Gramophone

"elegance,  dexterity, rhythmic vitality and great imagination" - Boston Globe

"stunning power" - Louisville Courier-Journal

"matchless technique" - BBC Music Magazine

“plays the bejabbers out of Zigeunerweisen” - Classical Net Review

“an elegant soloist” - New York Times

"sensational....Classical Act of the Decade" - Louisville Courier-Times

“talented and beautiful” - Sony BMG Masterworks

“has an indescribable quality on stage. She is like a great actress, with such presence that by speaking softly, she can make the audience hang on every syllable”
- Portland Press Herald

“one of the most respected classical violinists in the world”
- Woman Around Town 

CLASSICAL ACTS OF THE DECADE

"Stephanie Chase delivers, with the Louisville Orchestra, a sensational account of Edward Elgar's Violin Concerto. The Elgar is among a handful of the most demanding works in the standard concerto repertoire, and Chase's account takes a challenge and turns it into a privilege."   - Andrew Adler, Courier-Journal, December 2009

Take this link to a partial list of orchestras with which
Stephanie Chase has performed as soloist.

Stephanie Chase in recital - October 19, 2011
 

CONCERT MANAGEMENT: PRICE, RUBIN & PARTNERS

“Chase deserves the acclaim… she gave an unaffected, beautiful performance with a variety and clarity of tone that projected effortlessly.  It commanded the normally violin-absorbent hall” - San Francisco Chronicle     “The soloist was the superb violinist Stephanie Chase, who played with elegance, dexterity, rhythmic vitality and great imagination. This was a Classical performance in the best sense: clear-headed, straightforward, intelligent” – Boston Globe     "Rich, passionate tone, dead-true intonation throughout, and virtuosity galore" - Gramophone      "stunning power" - Louisville Courier-Journal      “...a deeply poetic account of the (Sibelius) Concerto by Stephanie Chase, (who) poured out the impassioned northern lyricism on a spacious scale, holding enough throbbing tone and gutsy bravura in reserve for the extroverted passages” – Chicago Tribune      “A supreme musical performer whose complete virtuosity enables her to ennoble everything she plays.” – Byron Belt, Newhouse Newspapers     “Refreshingly stylish…(Chase) “makes each work a new musical journey, riveting the audience’s attention from beginning to end” - St. Louis Post-Dispatch    “The American violinist conquered the work’s many technical hurdles as authoritatively as she illuminated its generous lyric outpourings” – Los Angeles Times      “She played always with firm control, a fine sense of the music’s subtle shadings and above all the vigor and the large gestures it often demands" – Washington Post    “Stephanie Chase has a great sense of style, matchless technique and flawless intonation” – BBC Music Magazine     “Exceptional security of technique and bow control, married to a supreme inner radiance” – Performance Today, National Public Radio     "an elegant soloist" - New York Times    

Video of Stephanie playing the Perpetuum mobile: Allegro from Maurice Ravel's Sonata
live on December 2, 2011

Video of Stephanie playing the "Obertass" Mazurka by Henryk Wieniawski live on October 19, 2011. 

More live and recorded audio and video

©Stephanie Chase 2012.
All Rights Reserved.