Stephanie Chase,
violin; Robert Truman, cello; Geoffrey Simon, conductor;
The London Philharmonic. Cala Records.
Nocturne by Alexander Borodin (world premiere
recording)
Stephanie Chase,
violin; Geoffrey Simon, conductor; The Philharmonia.
Cala Records.
Romanze:
Andantefrom Violin Concerto in D
Major, Op 35 by Erich Wolfgang Korngold.
Stephanie Chase,
violin; James Setapen, conductor; Amarillo Symphony.
Live performance, 2006.
Recordings of
Stephanie Chase in works for violin and piano
Devil's Joke
by
Rudolf Friml (with Sara Davis Buechner, piano). Koch
International Classics (from Bygone Days, music for
violin and piano by Rudolf Friml).
Want to know more about
these commercial recordings? Please visit the
CD's
page for complete details, including purchasing
information.
Video of Stephanie playing Sarasate's Introduction and
Tarantella live on October 19, 2011
Video of Stephanie playing Schumann's Allegretto from the
Sonata No. 1 live on October 19, 2011
Video of Stephanie playing the Mazurka Op. 19 No. 1 Obertass live on October 19, 2011
“One of the violin greats of our
era” – Newhouse Newspapers
“Stephanie Chase has a great sense
of style, matchless technique and flawless intonation”
– BBC
Music Magazine
“The soloist was the superb
violinist Stephanie Chase, who played with elegance, dexterity,
rhythmic vitality and great imagination. This was a Classical
performance in the best sense: clear-headed, straightforward,
intelligent”
– Boston Globe
"…one of the twenty most
outstanding performances in the (Beethoven Violin Concerto's)
recording history” – ‘Beethoven: Violin Concerto,’ Cambridge
University Press
“...a deeply poetic account of the
(Sibelius) Concerto by Stephanie Chase, (who) poured out the
impassioned northern lyricism on a spacious scale, holding
enough throbbing tone and gutsy bravura in reserve for the
extroverted passages” – Chicago Tribune
“A supreme musical performer whose
complete virtuosity enables her to ennoble everything she
plays.” – Byron Belt, Newhouse Newspapers
“A Record to Die For”-
Stereophile
“Refreshingly stylish…(Chase)
“makes each work a new musical journey, riveting the audience’s
attention from beginning to end” - St. Louis Post-Dispatch
“Stephanie Chase is making her
name on sheer artistry … (no violinist) plays more truly or
musically than Chase” – San Francisco Chronicle
“The American violinist conquered
the work’s many technical hurdles as authoritatively as she
illuminated its generous lyric outpourings”
– Los Angeles
Times
“She played always with firm
control, a fine sense of the music’s subtle shadings and above
all the vigor and the large gestures it often demands"
– Washington Post
